"Anatomía de la Noche"

Es una obra digital, que conforma la serie de Anatomías de lo Efímero.

La Silla - Digital

Anatomía de lo Efímero - Digital II

Anatomía de lo Efímero - Digital I

ABOUT THESE WORKS

These works (as every esthetic piece of work) have different levels of significance.
One of them is referred to the existing duality between man and his environment, between natural and artificial.
The dead birds symbolize the natural-geological world, whereas the typographical signs symbolize the presence of man and the need of communication through language.
I have tried to find a similarity between bird morphology and the calligraphic signs; whereas in some other cases, I have set a strong contrast between symbols or main objects and the bird images.
It also exists a reference to the passage of time, to the expiration of some things and to the persistence of some others. To the effort of the human being for the transcendence of their own condition.
The ancestral and the contemporary are interlaced in a very same space and time reflecting reciprocally.

ACERCA DE ESTOS TRABAJOS

Estas obras (como toda obra estética) poseen distintos niveles de significación.
Uno de ellos está referido a la dualidad que existe entre el hombre y su entorno, entre lo natural y lo artificial.
Las aves muertas simbolizan el mundo natural-geológico, mientras que los signos tipográficos simbolizan la presencia del hombre y la necesidad de comunicación a través del lenguaje.
He buscado una similitud entre la morfología de los pájaros y los signos caligráficos; mientras que en otros casos, he establecido un fuerte contraste entre los símbolos u objetos principales y las imágenes de las aves.
También existe una alusión al paso del tiempo, a la caducidad de las cosas y a la persistencia de otras…Al esfuerzo del ser humano por trascender su propia condición.
Lo ancestral y lo contemporáneo se entrelazan en un mismo espacio y en un mismo tiempo reflejándose recíprocamente.

Catedral II

Osán was born in Paraná, E. Rios, Argentina in 1964.
He has made many individual and collective exhibitions in the city of Parana, the province of Entre Rios, and the rest of the country, as well as abroad. He has got distinctions such as the First Prize of the III Annual Hall of Plastic Arts and the First Drawing Prize of the XXXII Annual Provincial Hall. He has also been given scholarships and international courses, among them, the Sargadelos Seminar in Spain.
His works were exhibited in “Arte BA `97”, at the National Congress of Argentina, in the International Fair of Contemporary Art in Marbella, Spain (2000-2003) and in the III International Biennale of Drawing and Graphic Art in Novosibirsk-Russia. He has given many lectures, courses and seminars such as Art and Multimedia in agreement with the National University of the Entre Rios and the Human Figure Drawing Course at the Provincial Museum of Fine Arts “Pedro E. Martinez”.

INTERNATIONAL PARTICIPATIONS

- Scholarship. Sculpture and Pottery Seminar at Sargadelos Labs, in Castro, La Coruña, Spain. Making of a sculptural project. Total: 160 hours. 1994.
- Exhibition at the International Fair of Contemporary Art, Marbella, Spain, 2000.
- Exhibition at the International Fair of Contemporary Art, Marbella, Spain, 2003.
- Honor Mention in the International Painting Hall of the National Academy of Brazil. 2003-
- He was selected as a participant for the 3rd International Biennial of Drawing and Graphic Art, Novosibirsk, Russia. 2003.
- He was selected as a participant for the VI International Digital Art Hall and Symposium, on La Habana, Cuba. 2004
- Exhibition at the International Miniprit Annual of Sofia, Bulgaria. 2004. Digital works.

He also works as a professor at the Faculty of Humanities, Arts and Social Sciences of Entre Rios, and in his private studio since many years ago.
His works are located at the Drawing and Engraving Museum “Guaman Poma”, the Fine Arts Museum “Pedro E. Martinez” and in private collections in Buenos Aires, Brazil and New York.

"Catedral I"

Catedral es una de tres obras digitales donde he utilizado fotografías y dibujos los que he ensamblado con programas de imágenes con el fin de crear una nueva imagen.
El concepto general de "Catedral" es el desenfoque, el cual provoca una sensación de realidad-irrealidad contrastando el negro con el fondo. La idea de presencia-ausencia es algo que me interesa rescatar como un elemento altamente significativo. La figura que surge de la transformación de un maniquí vestido de negro me ha servido como imagen representativa del personaje...
esta obra obtuvo el "2do. Premio del 1er. Salón Internacional de Arte Digital de Chestokova-Polonia en el año 2006.